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Lily and Leo
Little Daffydowndilly. The Man of Adamant. The Marble Faun Volume 1. The Marble Faun Volume 2. The Miraculous Pitcher. Monsieur du Miroir. Mosses from an Old Manse selections. My First Cruise, and Other Stories. The New Adam and Eve. Night Sketches: Beneath an Umbrella.
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(Hawthorne, Nathaniel, 1804-1864)
The Sister Years. Story of her ten-year journey to discover the meaning of darkness in the mysterious black images of divinity. The author's journey takes her to Montserrat, Madrid, Toledo, Guadalupe, Avila, Salamanca, Saragossa and Olite, where she describes in detail the Madonnas, their stories and her impressions.
Gustafson is a Jungian, psychologist, pastoral counselor and minister.
Relates her experience of dreaming about a dark-skinned Madonna while in her forties, learning about the Black Madonna of Le Puy, and traveling to Le Puy, where she experienced the "solace, embrace and compassion of the Madonna. Ryan, M. Both are Jungian-trained practitioners. Brings together history, mythology, psychology and religion in an exploration of the Dark Goddess. This Jungian analyst investigates the origins of the phenomenon and provides a thorough guide to Black Madonnas in Europe. Identifies the expression of contemporary Italian liberation theology in the beliefs and observances surrounding the dark black, brown, or gray Madonnas of Italy and the continuity between the earth-based images of the sacred female and their Neolithic predecessors found on or near the same sites.
Moss, Leonard W. Louis, Missouri. Preston, editor, Univ.
The authors developed a three-fold classification of types of Black Virgins from the nearly one-hundred samples they had collected from various parts of the world:. Oleszkiewicz-Peralba, Malgorzata. The author examines the black Madonna from a comparative, cross-cultural perspective, going throughout east-central Europe, Brazil, Mexico and Aztlan.
Written in a style both academic and personal, this text breaks new ground by its vast scope. Includes hundreds of images, many in color. Scheer, Monique. This recent academic essay provides strong evidence that awareness of a special significance for Madonnas which were dark developed between the sixteenth and nineteenth centuries and that the primary symbolism viewed darkness and as indicator of antiquity which then symbolized uniqueness and profundity in a spiritual sense.